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#HITFILM PRO 2017 MANUAL HOW TO#
#HITFILM PRO 2017 MANUAL INSTALL#
#HITFILM PRO 2017 MANUAL LICENSE#

Teal And Orange Color Grading Hitfilm Express 2017 Tutorial Youtube Orange Color Color Grading Color With over 400 visual effects and presets it provides access to cinematic coloring features compositing tools and animations. In short everything that was likely in this preset pack is probably obsolete. Select Both: Selects both the Inner spline points and the edge points.These presets are likely masked planes with glow effects on them that would need to be hand-rotod for every frame. Hold the button to choose between Marquee selection and Lasso selection.

Select: Selection tool for splines and points. See the separate Python Guide for more details.Īt the very top of the interface you have the tools that form the brunt of your time inside Mocha. Plug-in Python Support: Once restricted to Standalone users, you can now run Python scripts in the Mocha Pro plug-in. Out of Process Mocha Plug-In: The Mocha Plug-in now operates as a separate process, which allows far greater resource management and stability. For more information on using AdjustTrack V2, see the AdjustTrack Module chapter. See the Warp Mapping section of the stabilize module.ĪdjustTrack V2: We’ve completely overhauled AdjustTrack to be easier to use and less prone to errors. This option is also available in the plug-in render options so you can easily unwarp an area, modify it, then rewarp with a copy of the original effect. Mesh Warp Stabilize: Using the PowerMesh, you can now warp or unwarp the mesh area in the Stabilize module.

#HITFILM PRO 2017 MANUAL HOW TO#

See the section on Exporting to Alembic for more details on how to use the format. PowerMesh Export to Alembic: You can export tracks to a Alembic Mesh with a camera based on the PowerMesh tracking. See Creating PowerMesh Nulls in the Plug-In section of the User Guide. PowerMesh Export to After Effects Nulls: You can export PowerMesh tracks to After Effects nulls via the plug-in interface. PowerMesh Tracker: A new tracking option, “Mesh” provides subplanar warp tracking in a layer so you are no longer limited to flat, rigid surfaces.įor more information on using the PowerMesh feature, see the PowerMesh section of the Tracking Basics chapter.

Third Party Open Source and Commercial Licenses Used by Mocha.

File Management for Rendering on a Network.

Render Floating Licenses vs Interactive Floating Licenses.

#HITFILM PRO 2017 MANUAL LICENSE#

How do I point to the server license using an Environment Variable?.

Installing Floating Licenses with Online Activation.

#HITFILM PRO 2017 MANUAL INSTALL#

How do I Install the Floating License Server?.

What to Do if Mocha Does Not Support Your Footage.

Setting Defaults for Color Space Workflow.

Loading OpenColorIO configurations into Mocha.

Defining the Overall Project Color Space.

Importing New Footage Streams to an existing Clip.

Reorienting Equirectangular Footage in Mocha Pro.

Mocha Pro Plugin Lens Rendering Workflow for 360 VR.

Using Equirectangular footage in Mocha Pro.

Equirectangular Lens Workflow with 360 VR.

Lens Workflow with Line Detection Calibration.

The Main Stabilization Parameters Interface.

Examples of Using Mega Clean Plates in compositors.

Using Mega Clean Plates in the Remove Module.

Mega Plate vs Mega Clean Plate - What is the difference?.

Identifying the type of camera movement.

Exporting Shape Data to Silhouette Shapes.

Exporting Shape Data to Blackmagic Fusion Shapes.

Exporting Roto, RotoPaint and SplineWarp Nodes to Nuke.

Exporting Flame Gmask and Flame Gmask Tracer data.

Exporting as Mocha shape for After Effects Data.

Exporting Tracks to Quantel generationQ systems.

Exporting Tracks to Inferno, Flame, Flint, Smoke and Combustion.

Exporting Tracks to Final Cut Pro or Final Cut Express.

Exporting Tracks to Adobe After Effects.

Working with Difference Mode and Stereo Offsets.

Painting Splines with the Area Brush Tool.

Rotoscoping with Magnetic and Freehand Tools.

Translate, Rotate and Scale your Splines.

Changing the Master Frame for a Reference Point.

About Master Reference Points (the red X).

AdjustTrack with More than Four Reference Points.

Dealing With Obstructions or Reflective Surfaces.

The Relationship Between Splines and Tracking Data.

Project Frame Offsets and Clip Frame Offsets.

Creating a New Project in the BCC 10 Mocha PixelChooser.

Creating a New Project in the Mocha Pro Plugin.

Creating a New Project in the Mocha Standalone application.

Loading Projects containing the Mocha VR Plugin.

Applying the Mocha HitFilm or Mocha Pro Plugin inside HitFilm.

Dealing with Alpha Channel Input and Output.

Basic workflow for the Mocha OFX Plugin.

Adding the Mocha Plugin inside Vegas Pro.

Adding the Mocha Plugin inside Silhouette.Adding the Mocha Plugin inside The Foundry Nuke.Adding the Mocha Plugin inside Blackmagic Design Fusion Studio.Adding the Mocha Plugin inside Autodesk Flame.Applying the Mocha Plugin for Avid Media Composer.Applying the Mocha Plugin for Adobe Premiere.Applying the Mocha Plugin for Adobe After Effects.